King David and the Frog
Bibliographic Data
| ID | 14780485 |
|---|---|
| Authors | Marina Ritzarev (0000-0001-9508-0872, Bar-Ilan University, corresponding author) |
| Year | 2015 |
| Volume | 50 |
| Issue | 2 |
| Pages | 31-42 |
| Publication date | 2015-04-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.50.2.31-42 |
| OpenAlex | W292143968 |
| Language | EN |
The interrelations between the liturgical and paraliturgical genres of sacred music in both live practice and in historiography are explored. Parallels are found between eighteenth-century Russian and modern Hebrew religious music. The author's theory of the vernacular in music is applied to explain the stylistic openness in paraliturgical music (as a parallel to onto-vernacular folklore)
Art · Folklore · Hebrew · Historiography · Literature · Parallels · Vernacular · Diverse Musicological Studies · History
| Highly cited | No |
|---|