Characterization in the Operas of Penderecki
Bibliographic Data
| ID | 14780498 |
|---|---|
| Authors | Niall O’Loughlin (Loughborough University, corresponding author) |
| Year | 2015 |
| Volume | 51 |
| Issue | 2 |
| Pages | 127-137 |
| Publication date | 2015-06-17 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.51.2.127-137 |
| OpenAlex | W774471368 |
| Language | EN |
Characterization in the four operas of Krzystof Penderecki is well developed. It includes specified melodic intervals for characters, distorted vocal lines, the use of coloratura singing and various forms of chanting and speaking
Acoustics · Art · Literature · Melody · Musical · Opera · Physics · Singing · Diverse Musicological Studies · Musicology and Musical Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |