Gramophone Serving Sacred Music
Bibliographic Data
| ID | 14780516 |
|---|---|
| Authors | Drago Kunej (0009-0008-4998-3139, Slovenian Academy of Sciences and Arts, corresponding author) |
| Year | 2015 |
| Volume | 50 |
| Issue | 2 |
| Pages | 279-291 |
| Publication date | 2015-04-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.50.2.279-291 |
| OpenAlex | W1984547151 |
| Language | EN |
| Citations received | 2 |
| References cited | 4 |
Like most activities in the gramophone industry, recording sacred music appears to have been linked with trade and profit. Through the example of gramophone records released by the Ljubljana Cathedral Choir and the Adria Singers from the USA, one can see that favourable market results depended upon a number of factors. By comparing the popularity of recordings of these two choirs, with the number of surviving records, one can conclude that the sale of sacred music lagged behind that of secular
Art · Choir · Instrumental music · Music education · Music industry · Musical · Political science · Popularity · Sacred music · Visual arts · Art History and Market Analysis · Cultural Industries and Urban Development · Law
| Citations per year | 0.29 |
|---|---|
| Citation span | 2019 - 2019 (1) |
| Highly cited | No |