Choir singing
Performing Identities and Loyalties
Bibliographic Data
| ID | 14780682 |
|---|---|
| Authors | Matej Santi (0000-0002-9308-5503, University of Music and Performing Arts Vienna, corresponding author) |
| Year | 2017 |
| Volume | 53 |
| Issue | 2 |
| Pages | 91-101 |
| Publication date | 2017-11-27 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.53.2.91-101 |
| OpenAlex | W2770440547 |
| Language | EN |
| Citations received | 1 |
| References cited | 5 |
This paper traces the practice of choral singing of the three major ethnolinguistic groups – Italians, Slovenians, Germans – in pre-war Trieste, while the city was still part of the Habsburg Monarchy. Through widespread reviews in the media, choral singing in different social and linguistic contexts became politicised, with the goal of establishing political and national alliances
Acoustics · Art · Choir · Literature · Monarchy · Political science · Politics · Singing · Visual arts · Diverse Musicological Studies · Eastern European Communism and Reforms · European Cultural and National Identity · History · Law
| Citations per year | 0.11 |
|---|---|
| Citation span | 2017 - 2017 (1) |
| Highly cited | No |