Activism, Meditation and Contemplation
Music and the First World War
Bibliographic Data
| ID | 14780802 |
|---|---|
| Authors | Igor Grdina (Research Centre of the Slovenian Academy of Sciences and Arts, corresponding author) |
| Year | 2017 |
| Volume | 53 |
| Issue | 2 |
| Pages | 5-21 |
| Publication date | 2017-11-27 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.53.2.5-21 |
| OpenAlex | W2768776401 |
| Language | EN |
| References cited | 2 |
The paper discusses the turn from activism to contemplation in the works of many music creators during the First World War. It also discusses the reasons why the reception of music during the conflict of 1914–1918 was the most restricted so far, prohibiting the performance of works by creators from enemy countries
Adversary · Aesthetics · Art · Contemplation · Epistemology · Literature · Meditation · Political science · Visual arts · Computer Science · Historical Influence and Diplomacy · History · Philosophy
| Highly cited | No |
|---|