Narrations of a nation
Montenegrin self-representation through (re) construction of cultural memory
Bibliographic Data
| ID | 14780825 |
|---|---|
| Authors | Tatjana Marković (0000-0003-1328-6223, University of Music and Performing Arts Vienna, corresponding author) |
| Year | 2015 |
| Volume | 51 |
| Issue | 2 |
| Pages | 139-148 |
| Publication date | 2015-06-17 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.51.2.139-148 |
| OpenAlex | W1938700684 |
| Language | EN |
| Citations received | 2 |
The paper considers a multi-levelled process of construction and reconstruction of Montenegrin cultural memory through the medieval national history revived in the 19th century theatre play Balkanska carica (Balkan empress, 1884) by the Prince and the first Montenegrin king Nikola I Petrović Njegoš, the opera with the same name by Dionisio de Sarno-San Giorgio (1891) and then one more time in 2006, when the opera was premiered, in the given political and cultural contexts
Art · Art history · Opera · Political science · Politics · Balkan and Eastern European Studies · Balkans: History, Politics, Society · History · Law · Philippine History and Culture
| Citations per year | 0.22 |
|---|---|
| Citation span | 2017 - 2026 (10) |
| Highly cited | No |