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Compositional System of Osvaldas Balakauskas

An Attempt to Restore the Theoretical Discourse

Bibliographic Data

ID14780968
AuthorsGražina Daunoravičienė (corresponding author)
Year2018
Volume54
Issue2
Pages45-95
Publication date2018-11-15
Open AccessYes
TypeARTICLE
VenueMusicological Annual (JOURNAL)
Journal identifiersISSN: 0580-373X • E-ISSN: 2350-4242
PublisherUniversity of Ljubljana (PUBLISHER • SI)
DOI10.4312/mz.54.2.45-95
OpenAlexW2903185211
LanguageEN
References cited6

Against the background of the Lithuanian professional music modernisation over the late Soviet period through to the early 21st century, the study focuses on the theoretical-compositional system of dodecatonics by the most consistent Lithuanian modernist Osvaldas Balakauskas (b. 1937). Based on it, the conceptualisation of the composer’s creative process, the modern expression construing specificity, the socio-political and cultural context, and the aesthetic value will be revealed. By interpreting the process of modernisation from the viewpoint of parataxical comparativism, the relationship between the dodecatonics and other 20th century ­stheoretical-compositional systems as well as the theoretical tradition will be examined. The issues of individualisation of the 12-tone technique and the implementation of the principles of the Dodecatonics in Balakauskas’’ compositions will be discussed. The system is contextualised in the milieu of the inculcation of “formalistic” modernist doctrines in Lithuania and the USSR and of the updating of composing systems and the development of new ones

Aesthetics · Archaeology · Art · Epistemology · Linguistics · Literature · Lithuanian · Modernization theory · Political science · Politics · Social science · Sociology · Value systems · Artistic and Creative Research · Computer Science · History · Law · Literature, Musicology, and Cultural Analysis · Mathematics · Musicology and Musical Analysis · Philosophy

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Highly citedNo

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