Running with the Devil
Power, Gender, and Madness in Heavy Metal Music
Bibliographic Data
| ID | 14801565 |
|---|---|
| Authors | James M Manheim |
| Year | 1995 |
| Volume | 13 |
| Issue | 2 |
| Pages | 231 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | REVIEW |
| Review of | Running with the devil: Power, Gender, and Madness in Heavy Metal Music, Robert Walser, 2014 |
| Venue | American Music (JOURNAL) |
| Journal identifiers | ISSN: 0734-4392 • E-ISSN: 1945-2349 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/3052258 |
| OpenAlex | W4300531927 |
| Language | EN |
| Citations received | 2 |
New York Punk Rock
Hordas do metal negro
Circulating Cultures
Musical and visual reactions to (trans-)misogynies in Austrian popular music
Primitive Future
Czech Metal Studies
The Ever-Evolving Maze – The Analysis of Metal Genres
“Genrefluid” Spotify Playlists and Mediations of Genre and Identity in Music Streaming
Deconstruction and reconstruction of identities
Black Sabbath Purgatus
The New Metal Men
The Music of Power
Unveiling music genre structure through common-interest communities
A dimensão midiática da canção
Ideology and textuality
Reconceptualizing hard rock and metal fans as a group
“This Is Ghetto Row”
Discourses of unity and purpose in the sounds of fascist music
The Metal Scene and The Bible
Summoning Redemption
Hibridaciones de la masculinidad a través de las estéticas de lo gay en el rock español
Durkheim meets Cthulhu
Heavy Genealogy
Female Authority and Dominion
It is time for men and women to act
Transgender Tribute Bands and the Subversion of Male Rites of Passage through the Performance of Heavy Metal Music
Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community
What makes metalheads happy? A phenomenological analysis of flow experiences in metal musicians
Music and American Culture
Consuming Popular Music
Devil Is Fine, Devil Is Kind
Utilizing Critical Realism in Empirical Gender Research
Commercial gender
Teaching intercultural competence through heavy metal music
Musical Structure as Narrative in Rock
Army 777
Babymetal and the ambivalence of cuteness
Fragile scenes, fractured communities
Genre and the cultural politics of territory
Negative dialectics in music
It’s a matter of eating or being eaten’ Gender positioning and difference making in the heavy metal subculture
Pass the Cream, Hold the Butter
Crossing borders and crossing the line
Renewal and Soul Survivor as Distinction and Subcultural Capital
Generic Misery Music'? Emo and the Problem of Contemporary Youth Culture
Atlantic meets pacific
Sex, drugs, Satan and rock and roll
Media bias against women in music
Rock Collection
Performing Gender by Performing Music
Eschewing Community
Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music
Kids and gigs
On Qualifying Relativism
Fans of Violent Music
An investigation of empathy in male and female fans of aggressive music
Le bruit et l'odeur… du succès? Contestation et contradictions dans le rock métis de Zebda
The appeal of musical masculinism within contemporary online far-right spaces
When Women Play the Bass
The Social Organization of Sexuality and Gender in Alternative Hard Rock
Drastic Allure
Actors and Accidents in South African Electronic Music
Recalibrating Fundamentals of Discipline and Desire Through theAutomatic Music Tent
A New Way of Being Italian Through the Lens of Hip Hop
I Rationed Food, Water, and my iPod Battery”
Studying religious music at the grassroots level
Music and the Kárahnjúkar Hydropower Plant
Music and the Politics of Sound
Music
El metal a l’Argentina
Metal Music and Mental Health in France
Worlds of Music
Ser hombre o ser mujer a través de la música
O Satanás em O Paraíso Perdido
Estilo e autenticidade em bandas de rock de Florianópolis (SC)
‘Men of iron will’
Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture
‘How Many Divisions Does Ozzy Osbourne Have?’ Some Thoughts on Politics, Heavy Metal Music, and the ‘Clash of Civilizations’
No Time for Losers
Flautas e trompetes sagrados do noroeste amazônico
Relations in Aesthetic Space
Sound-Politics in São Paulo
| Citation velocity | historical |
|---|---|
| Highly cited | No |