The Use of Habanera Rhythm in Rockabilly Music
Bibliographic Data
| ID | 14801646 |
|---|---|
| Authors | Roy Brewer, R L Brewer (corresponding author) |
| Year | 1999 |
| Volume | 17 |
| Issue | 3 |
| Pages | 300 |
| Publication date | 1999-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Music (JOURNAL) |
| Journal identifiers | ISSN: 0734-4392 • E-ISSN: 1945-2349 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/3052665 |
| OpenAlex | W2015555100 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Defining a musical genre remains difficult even when its performers and creators are readily identified with a particular culture, tradition, or geographic region. Among array of classifications under heading are many complicating variables that compound definitional problems.' At present, rockabilly is typically defined as the hybrid of blues and country that became rock & roll,2 or the earliest style of white rock-and-roll, which blended blues with country music; term is a combination of 'rock' and 'hillbilly.'3 In hindsight, it becomes clear that rockabilly's transitional role in history of American popular music was inevitable and owed much to both musical and social climate of mid-1950s. Besides obvious and unavoidable commercial motives behind
Aesthetics · Art · Art history · Blues · Call and response · Hindsight bias · Literature · Musical · Musical composition · Popular music · Rhythm · Visual arts · History · Music History and Culture · Psychology · Social Psychology · Theater, Performance, and Music History
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 2014 - 2014 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |