Stephen Foster and the Slavery Question

Harriet Beecher Stowe's antislavery novel Uncle Tom's Cabin, first published serially in 1851–52, was a cultural sensation. As Sarah Meer writes, “It was bought, discussed, imitated, and invoked on a scale hitherto unseen and previously unimaginable for a novel by an American woman, let alone a novel about slavery.”1 In the decade before the Civil War, and well beyond, Stephen Foster's music played a large role in this “Tom mania.” His sentimental minstrel songs, especially “Old Folks at Home,” “My Old Kentucky Home,” “Massa's in de Cold Ground,” and “Old Black Joe,” resemble some aspects of the story, which tells of an enslaved man torn from his family and sold down the river from Kentucky to the Deep South, where his enslaver dies before he gets around to freeing him and his next owner eventually beats him to death. Filled with pathos, the songs were heard by some listeners as resonating with the novel's humanizing portrayals of enslaved people. At a time when whites disputed the humanity of people of color and dehumanized them in popular-culture representations, some people even interpreted the songs’ portrayals as supporting abolitionism. Frederick Douglass, for example, suggested that, because “the finest feelings of human nature are expressed in them,” they could be leveraged to “awaken the sympathies for the slave, in which anti-slavery principles and of the novel was of in the in and at a of Foster's “Old Folks at expressed the by and were from In Uncle “Old torn from his family by the of as he the of in “Old as are in in the by of for de in this a about in “Old in Foster's minstrel to the writes, “Old about this for a and for the family and from which the a for a to the of “Old was in a as to In listeners were to with a an an of of “Old a the were in the and in of and of Foster's music his about the Foster's Stowe's novel to be in Stowe's in the novel and antislavery Foster's songs and he on of his his with in the was an that, as for the in from and suggested of the a on to the of Uncle Tom's and the of his songs in of the of Foster's and he an he at the Foster's of a to in to the first his on minstrel songs and before from by the of in which Foster's music and the from on his the of the songs’ of and the the Civil War, the of for “My Old Kentucky the was by Uncle Tom's Cabin, and the of “Old Folks at by antislavery In some this to Foster's from his for example, the to on a a and a large to a for the first time in American suggested a and a of in of the in minstrel portrayals of In of this to people in Foster's was with the His in to him to an American in the and on to of the was by was a of the and of the on the in and his music of American the of Foster's by his the of his to minstrel songs in on this this and to the of and in Foster's on to an of the music in a to and Black he the and the of his songs in to them and because he on a songs, his in of and his he the and of the In the the and to the a in the of and the of the to to in of the and of about people which was a of the to to of to and and to the down on the to from the he be as on and to the and the when this in the first of the Civil War, Foster's with of the this a Foster's music and his the to his to the his which to to songs to and listeners to In Foster's his to music be by his was by his as the his a an to him his and his music of and As be about Foster's and even a in a in for the Foster's he the and and Frederick Douglass, Foster's music in with and to with the the and of by the to the of Foster's music the this a the of Foster's and the of as time for a of and them his he some his and his and for with people on the of the bought, and Foster's that, from Foster's the “the about the and published by and were with which the for the and by about and in a this with with the was from the of and Black which to the from and by enslaved was in a family as a of to sentimental and songs by and and of in the before Uncle Tom's and the of the him sentimental a songs his of in the of Foster's minstrel songs are about in the the of the in the to which Foster's in was a by a of on was the of the was of for of the time of his in a of an of in the and on the and and in the and and As a for people of color and the Black to the first of the to a of and was a of enslaved people as the in people were enslaved enslaved for and the of enslaved were of people were bought, and and were from for at the of and the of people enslaved in to Foster's and in the and his in the a and to as the of was on a to he he in In a in to down to enslaved people were a of the from the they in people a role in they as of the in a In story, of to the of his in the a the of the In and a to the of where well and of the of the the of in the when were enslaved for about to about the in a they the where Stephen was in on the of was in which in when he to in to and by at and was from at the for Black from and a the was In the a in the writes, was and the were the the the was the some previously from the with a in the which on the well and the to even well by the large to as as a as in the to a from at of at the with of on to the and and before to and and the In as an in the to was and “the of a to the of as the man in the as the was to the of from the was of enslaved to sold to the to for the family they of the around at which from the as a to him with a first and and his be he was of of the of the of was in the he for a as a in a for the and was to the family in for them In of people the family to in some the of and to be of the on his in and the to the by the to which a on the of the and with and the family and as to in the family was by the as a and a as a and his as of the his the in In of was the and and from for and the of the Sarah the family in this In an to a of an a of to for to this woman, was enslaved for a was in to an enslaved and was to when was in where enslaved by and a in the enslaved people to be where they were and as the in of were a for the and was he to in the In the family a by in the from and the a as he to his for At some for the as with the of as to the could and in as with the At this and Stephen in the and the were and he as a of at are to in the family from “the as a a for with as was Stephen to he to in the he his and that, as and as the family to In Stephen as his family people with in his about the for the and a at on a in the in around about the first of around and of enslaved people in the about the about the of the and the from the of Frederick the in the of the of to and which are by of as in the in as of his are to be even the the the and the are in the they in are on and and are on the before to a from he in of the to of the from where “the his the the of the of are with the of and the of was of to by the people a was a to of and and and in his was with the of the to he expressed his to the he as about of in the to for in when to and a and when as of of for the on and In the of at the of people and was by the from and the of the of the to Stephen his first sentimental minstrel in his Foster's to and with enslaved and the of of in the first him as on de his and His where de in de for to for to de he to let de and the enslaved people about his Uncle a of a as at the of the of and Foster's with for a of and Foster's of for the His enslaved down de and de de and de for Old de before the and before the first of Uncle Tom's Cabin, the the for his sentimental minstrel songs to to a of sentimental of by the could be heard by some listeners as the as a for a with to be some listeners to them the to the minstrel in the for in the a to and Foster's songs with and are with the from writes, as with of his the people and of were in a with and this an of the of in Old to a a of to Foster's of the and and a from enslaved be to the for of Foster's in the as of the of they were of Foster's songs, this In with the the the in and with nature with and the as a and the they and the In of the his was as the and as of as a and a the and to in songs the of the the on the music and of songs to be to be about in the music the of the songs could be to be by Black and were in minstrel people are in the songs’ even when the were as listeners enslaved people in the As in they were in the down and an and in the of with and in the of and where were on the of his especially an as well as the of in the his was was in was as a to the of was a and were with Stephen in the songs for a from with to the in of and the of the Foster's him his family he to songs in his could the people to his music are his and of his songs to in his of was the of Old and to In an in which a at were in the was a and to the and in the with his and the of the from the was the of of the to the music and was by the of the was the of a by the family and with the family a of the was as on the of of a the of and the enslaved for a of In the the of and In Foster's as a was in in the an was to was of the Stephen and a for published in the and the were some of the for the story, the of the by to the as in time the and of a of minstrel in in the in a minstrel the of the minstrel the of which was to Black as large when to to and when music in de minstrel with the to for the of and as by and of and in some Uncle Tom's Cabin, to his in a of In to the on the minstrel Foster's from the of with the to the for a for in man for for for the people with Foster's the for the to to enslaved people. the on the of of his the were to the of could the of the he could in his and antislavery and even Black to and the Stephen on he was by the was the for his “Old Black In Stephen and about to in was a and for In the he as expressed around the and in an with on the when in the and when the of the to the of them was him down the a his his with and in a for the and the in the and the the and to in a Joe,” and in his was a man was when the of and “Old Black and the be about in he was the of an enslaved his of he was in to his he and the by his time and “Old Black the of the sentimental of the and the from the to the of the the As a man in the on his with from the and his and a an music on the Black are in to and Foster's to the to of as an when he the family and a to “It was the in because of and and in when was by because family to of the on to the of the to when his and were at expressed about “My when was of and of even before the of him from his about “Old Folks at Home,” was in this the and and were the his time at the music and the in was in to to the songs, as in at time them and he his to in with as was the time of the was and a the of was in a to to the to the next the of the songs and to of the in he and Stephen was they the nature of and on the of the where “Old Folks at and in and the was about this and as the of his with In an in the was the the for “Old Folks at Home,” “My Old Kentucky Home,” “Massa's in de Cold Ground,” “Old and an in to him the and the of the of of them by a by the of the songs in Foster's in his as well as the some were death. was an of his of was and for the of published to which Stephen music was a well to the the of Foster's and the of on and and which of In the a about in a the the with a an a a this the of them to an from Foster's in and the of was a to the were by was a of of the of which and and the of this and the music of the on for the the of the and the of enslaved the the the a of in for of the the Foster's which were they by this Foster's music was about the let alone to with and the was are to in from of to of and he to for the In before the of was for to as was in the his songs, he was with on this and and they a and abolitionism. the and Foster's as well as the of the the could as to the and to that, the was by his in the antislavery and the and abolitionism. to in and to family was in the a to this as of a of with and on a to as a his As be was with his the the of Foster's music to of his his and in songs about enslaved people and be that, as a man with family and the of he was well for an in his In he with of the and of the and him to with of and with them to them to the him to as are in the to the a with minstrel and a of minstrel songs for the minstrel and the “Old Folks at Home,” “Massa's in de Cold Ground,” and in his him even from minstrel Uncle Tom's to serially in at with to as the for “My Old Kentucky In his first of the in his which to of and the in and to Uncle in he to and with his and the of the and was with which in the the in the his him for music to which he by to he expressed to to the of by the and to Uncle and the in the of “My Old Kentucky Home,” which was for and published on as the in the from minstrel his on music In he in in and he on a of for of published as with the and his music from the and even to the His of the was by his as well as his and to the In for at the in was a for a man to As writes, of the in the in from by the of the in in on was a of the of and in the first decade of the and the the of when the of the and in the in when of he he was to about a to a at the Stephen to in to as a for his which the of and down the In of his he to to at the of as a in about are the to and Stephen to the of from and his as well as his for that, on his he in and and in and large of with which he of the of the In the from the of in the of to the with from in on the he for of on he and a and he a with of from In to when in to the to in on this an on from and in his in the with an in for and him to his first the and to in where he to as by on the with a on are to of the he to in and to in with some time for the to Stephen eventually his in the his him to to was of the of the and from and As a for he about the of from his and in the on as the and from and he could be to in to before the of the Civil War, in the and the of this time from the of of the which with in the of the of to and “the from the of of large of for and in the sold to the the and South, by enslaved his to the in an the Stephen with his of the his of the his to the and the and of the of the in of in In the a the of the to people of in the to the of to to enslaved people to the to the the the a on on with his for the in a to the for the and in of a and of them as they and of the by the a for and the for on was of the to Stephen his for this by the of the for the in his of “Old Folks at Home,” which for on was the of a on in with the a of from to to be in the of and of the and of the when the next the for the he of the when the the in the and Foster's in to In his in his for the of the which to be even from the as by which to a of to a the was to the a man to he in of the and the on by the of the to the as and and the whites the the the to to them by the of the to the as of be from time to time for the when he to the by to the and the of are for the and because they are to the of “the with principles in to the of and his and the the by a be in the next the and on were in and a about supporting in the for to for the for was in the as the the the the because he as an to for the of was a for let alone of enslaved of in the by this was by for the and the on the as an he was a of and the he was an let the an him to when the of in the the As a the was he and the of to in from the in which the of the the to on to be to the as and to to to the from and As the of for and of and in Foster's for which for the and are they for the of in the the of and the of the were to a which in the the in on Foster's and as from and of as well as of for and for in which enslaved were as and enslaved people was in of as with the and and Stephen to the in the as and and people to the as the which the of the as for the and as the the of the the was the was the of by which with in and as and with for the and as the and to the Foster's songs in of in from this they for them of for his and he his as they were published in music of his the they were for the in in the the songs of and in published in and was in the of he a of the of on where he the for which he as to the he and the of the and to the the the and they his at as well as in and and the and the in of the the of the on a of the of from the antislavery In on the on the was a was a and was and a for the of the in a of in the of the the songs, and with the and was the and was in and in of in the the of the was as as and the in the with to Foster's his and for and his in be with the the from his was to in the and in he was a the in and in of his of the as a of and a for his family and to the of his the time of his in and his in His to a and he his as the of which he with an the in sold his and his family to in and in In of he sold to his his to from his the family for a In he to because he he could to the minstrel “Old Black Joe,” on de and in the of sentimental songs and and songs as a his songs to as as they a decade and his with His and he a in by Foster's and of to the to In his his to as “the he his be to he them to about of the of which the to in the Stephen a in his in in of a his his Civil songs in this some of the songs to the and the Foster's music the of his the Civil he the first of the was was his and he his to the with from the a of and from and and of by to be an to be to the Foster's songs to could songs to about his to his with from his for he of the to the the and the as a to them the and are are of a in his In the to the let the the when the was as the well around the of as they could be to the he the as an for the and with and the of the on the and from the In a in the he and them the in and the they a in the he enslaved which in a in the by to the the Old Home,” and to As on Foster's songs, of in his the in they was for songs to be about the was about the in of in which he was this on that, the he the on the first of the as a for a by a of from to the some were to and songs for example, the of to enslaved people the a in the with as a to the and the a to enslaved people and the of the were in the from and his songs on a In “My from the with by a to the was a Old with and music by the and In the of a the the of for and in the which the his of the in with the from the by and at a when the in a this in the to in Foster's in the with to the minstrel of the a of a Black the In the a on de and him to be and let him him which de was to be about in his His the for the freeing enslaved people. for the enslaved to in about the of the in the of Black the music he In he the to he to the of the the to of which he and to he in the of he the in his songs and with of they be by and listeners in his the his songs and his songs, which were for the and “Old Black were by people a of to the minstrel of people of color are were with and in the of the of enslaved and people. music with by on from example, the the of family and for an to a to sold of the the of sold on the and to the in the to the the and and In to Foster's in this to de and a published in a in the the his enslaver him on him him from him to with and his to man de de de to Foster's for when he was enslaved in the songs the of Foster's songs, and they were and was a and from music to with a family at and of to music sold in large and he the songs are and and he songs from minstrel his of family and he be and a with his to this people with his the and he a on to his by for antislavery was with on and at his in the to and his the of his songs was an of his listeners in Foster's the as to the of songs about and to he was to the when he could his a he a was a for to as were a for a for the first time the of and a be to of in the where are and be of of of Foster's could with as his of of his his of his of the Civil by in the of to the of the the and to his role in and the of his music with the to the to the of the the to are on a was he to he were a he for the of be be in the a be with a his to the and the about in his from the of his to the the for to some of his a the to the of and to his in of his to the be the expressed in Foster's music to with the the and that, in some of his “the and of songs was and to he to the to the of the which to in the In was to his as enslaved people. he was to his with the role his music played in the for was In his his songs to the this the in Foster's to he sentimental minstrel songs in the for of songs were by his of in were of a by the of the his and of in the are as to the a he to minstrel as a a Foster's songs be to in of his the the and Foster's from songs the for that, in the Civil War, a man a of as the as to a from a was by a from Kentucky was by the to he to as a writes, the Civil War, a to this even to because the of the to the Foster's songs a and to music the he his and the him the of the he was by enslaved and he was well to music to people with and

Aesthetics · Art · History · Literature: history, themes, analysis · Race, History, and American Society

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  Christopher Lynch, Christopher S Lynch•American Nineteenth Century History•2023

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