American Experimental Music, 1890-1940
Bibliographic Data
| ID | 14801835 |
|---|---|
| Authors | David Metzer, David J Metzer, David Nicholls (0000-0003-4041-274X), David A Nicholls (0000-0001-9925-9810) |
| Year | 1992 |
| Volume | 10 |
| Issue | 3 |
| Pages | 373 |
| Publication date | 1992-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Music (JOURNAL) |
| Journal identifiers | ISSN: 0734-4392 • E-ISSN: 1945-2349 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/3051601 |
| OpenAlex | W2026672911 |
| Language | EN |
| Citations received | 9 |
Preface Acknowledgements 1. Introduction: the new and the experimental 2. In Re Con Moto Et Al: experimentalism in the works of Charles Ives 3. 'On Dissonant Counterpoint': the development of a new polyphony, primarily by Charles Seeger, Carl Ruggles and Ruth Crawford 4. New Musical resources: radical innovation in the music of Henry Cowell 5. 'The Future of Music: Credo': the development of a philosophy of experimentation in the early works of John Cage 6. Conclusion: unity through diversity Select bibliography Appendix: musical editions and selected readings
Art · Art history · Consonance and dissonance · Counterpoint · Epistemology · Experimentalism · John Cage · Literature · Musical · Performance art · Polyphony · Sociology · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Unique citing works | 9 |
|---|---|
| Citations per year | 0.41 |
| Citation span | 2004 - 2014 (11) |
| Citation velocity | historical |
| Highly cited | No |