Headfirst into an Abyss
The Politics and Political Reception of Hamilton
Bibliographic Data
| ID | 14801889 |
|---|---|
| Authors | Elizabeth Titrington Craft (corresponding author) |
| Year | 2018 |
| Volume | 36 |
| Issue | 4 |
| Pages | 429-447 |
| Publication date | 2018-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Music (JOURNAL) |
| Journal identifiers | ISSN: 0734-4392 • E-ISSN: 1945-2349 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.5406/americanmusic.36.4.0429 |
| OpenAlex | W2913637005 |
| Language | EN |
| Citations received | 4 |
| References cited | 16 |
Research Article| December 01 2018 Headfirst into an Abyss: The Politics and Political Reception of Hamilton Elizabeth Titrington Craft Elizabeth Titrington Craft Elizabeth Titrington Craft is an assistant professor of music at the University of Utah, where she teaches courses on twentieth- and twenty-first-century music, music of the United States, musical theater, and opera. Her research examines musical theater from the early twentieth century to the present, focusing on racial and ethnic representation, immigrant narratives, constructions of nationhood, marketing, and reception. Her published work appears in Studies in Musical Theatre, The Critical Companion to the American Stage Musical, and Crosscurrents: American and European Music in Interaction, 1900-2000. She received her PhD in historical musicology from Harvard University. Search for other works by this author on: This Site Google American Music (2018) 36 (4): 429–447. https://doi.org/10.5406/americanmusic.36.4.0429 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Elizabeth Titrington Craft; Headfirst into an Abyss: The Politics and Political Reception of Hamilton. American Music 1 January 2018; 36 (4): 429–447. doi: https://doi.org/10.5406/americanmusic.36.4.0429 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressAmerican Music Search Advanced Search The text of this article is only available as a PDF. Copyright 2019 by the Board of Trustees of the University of Illinois2019 Article PDF first page preview Close Modal You do not currently have access to this content
Art · Art history · Craft · Guitar · Icon · Literature · Management · Media studies · Musical · Musicology · Opera · Political science · Politics · Popular music · Sociology · Visual arts · Computer Science · History · Law · Music History and Culture · Race, History, and American Society · Theater, Performance, and Music History
Post-Racial or Most-Racial
Do You Hear the People Sing? Theater and Theatricality in the Trump Campaign
Ever to the Right”? The Political Life of 1776 in the Nixon Era
Bringing Dance Back to the Center in Hamilton
We Get the Job Done”
Hamilton ’s Ghosts
Citizenship as cultural
Cultural Citizenship as Subject-Making
Return of the Citizen
The Oxford Handbook of African American Language
Celebrity capital
| Citations per year | 0.5 |
|---|---|
| Citation span | 2018 - 2022 (5) |
| Highly cited | No |