Jazz as Deliverance
The Reception and Institution of American Jazz during the Weimar Republic
Bibliographic Data
| ID | 14802124 |
|---|---|
| Authors | Susan C Cook (corresponding author) |
| Year | 1989 |
| Volume | 7 |
| Issue | 1 |
| Pages | 30 |
| Publication date | 1989-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Music (JOURNAL) |
| Journal identifiers | ISSN: 0734-4392 • E-ISSN: 1945-2349 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/3052048 |
| OpenAlex | W2319178534 |
| Language | EN |
| Citations received | 1 |
Jazz as Deliverance [Rettung] was the title Alfred Baresel chose for his 1926 article that appeared in the Prague avant-garde music journal Auftakt. Baresel had written on jazz as early as 1921, speaking to its power, importance, and influence. Although by far the most enthusiastic German writer on jazz and its use in art music, Baresel was hardly alone in his enthusiasm; his 1926 article was just one of seven in Auftakt's issue devoted solely to jazz. Jazz, a means to our self-liberation;' as Baresel described it in his conclusion, exercised a powerful hold on Austro-Germanic culture until the National Socialists came to
Archaeology · Art · Art history · Institution · Jazz · Political science · Weimar Republic · History · Law · Music History and Culture · Musicology and Musical Analysis
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,05 |
| Citation span | 2007 - 2007 (1) |
| Citation velocity | historical |
| Highly cited | No |