Xiqu Research and Translation with the Artists in Mind
Bibliographic Data
| ID | 14806949 |
|---|---|
| Authors | Elizabeth Wichmann (corresponding author) |
| Year | 1994 |
| Volume | 11 |
| Issue | 1 |
| Pages | 97 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0742-5457 • E-ISSN: 1527-2109 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1124385 |
| OpenAlex | W2324121119 |
| Language | EN |
| Citations received | 4 |
| References cited | 3 |
Since the late 1970s, the single most impelling goal of Chinese society as a whole has been modernization. Modernization not only in science and technology (and, by popular Chinese definition, economics as well), but also in culture and therefore in the performing arts, including theatre. Despite periodic official disavowals, the West has been a major model for modernization-and in theatre, this includes the works of Western theatre artists and theorists as well as the writings of Western theatre scholars
Art · Biology · Linguistics · Chinese history and philosophy · Comparative and World Literature · Philosophy · Theatre and Performance Studies
| Unique citing works | 4 |
|---|---|
| Citations per year | 0.8 |
| Citation span | 2021 - 2024 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 4 |