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Plato, Derrida, and Writing

Bibliographic Data

ID14808042
AuthorsStephen R Yarbrough, Jasper Neel
Year1988
Volume5
Issue4
Pages107
Publication date1988-01-01
Open AccessYes
TypeARTICLE
VenueSouth Central Review (JOURNAL)
Journal identifiersISSN: 0743-6831 • E-ISSN: 1549-3377
PublisherJSTOR (PUBLISHER)
DOI10.2307/3189070
OpenAlexW2076115802
LanguageEN
Citations received6

Achieving remarkable feat of linking composition theory, deconstruction, and classical rhetoric, this book has been admirably summarized by theorist G. Douglas Atkins, who writes: lively and engaging, informed and informative book constitutes an important contribution. Though its 'field' is most obviously composition, composition theory, and pedagogy, part of its importance derives from way it transcends disciplinary boundaries to bear on writing in general. . . I know of no book that so fully and well discusses, and evaluates, implications of deconstruction for composition and pedagogy. That [it] goes 'beyond deconstruction, ' rather than merely 'applying' it, increases its importance and signals a clear contribution to understanding of writing. Jasper Neel analyzes emerging field of composition studies within epistemological and ontological debate over writing precipitated by Plato, who would have us abandon writing entirely, and continued by Derrida, who argues that all human beings are written. This book offers a three-part exploration of that debate. In first part, a deconstructive reading of Plato's Phaedrus, Neel shows elaborate sleight-of-hand that Plato must employ as he uses writing to engage in a semblance of spoken dialogue. The second part describes Derrida's theory of writing and presents his famous argument that the history of truth, of truth of truth, has always been. . .the debasement of writing, and its repression outside full speech. A lexicon of nine Derridean terms, key to his theory of writing, is also included. At end of this section, Neel turns deconstruction against itself, demonstrating that Derridean analysis collapses of its own weight. The concluding section of book juxtaposes implications of Platonic and Derridean views of writing, warning that Derrida's approach may lock writing inside philosophy. The conclusion suggests that writing may be liberated from philosophical judgment by turning to Derrida's predecessors, sophists, particularly Protagoras and Gorgias. Drawing on Protagoras's idea of strong discourse, Neel shows that sophistry is foundation of democracy: Strong discourse is public discourse, which, though based on probability and not truth, remains persuasive over a long period of time to a great number of people. This publicly tested discourse exists only among competitors, never alone, but its ability to remain persuasive even when surrounded by other discourses enables ideas of democracy to emerge and then keeps democracy alive

Art · Literature · Classical Philosophy and Thought · Philosophy

  • Rhetorical hermeneutics revisited

    Steven Mailloux•Text and Performance Quarterly•1991

  • On thinking about the nexus between art and everyday aesthetics

    Frederick J Potgieter•Critical Arts•2016

  • Implications of the “renaissance of rhetoric” in English departments

    James J Murphy•Quarterly Journal of Speech•1989

  • Critical language and visual art

    Frikkie Potqieter•de arte•2003

  • Sophistic rhetoric

    Edward Schiappa•Rhetoric Review•1991

  • The Idea(s) of Order of Platonic Dialogues and Their Hermeneutic Consequences

    Carol Poster•Phoenix•1998

Citations per year0.16
Citation span1989 - 2016 (28)
Highly citedNo

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