Dangerous Intimacies
Toward a Sapphic History of the British Novel
Bibliographic Data
| ID | 14808272 |
|---|---|
| Authors | Harriette Andreadis, Lisa L Moore |
| Year | 1999 |
| Volume | 16 |
| Issue | 1 |
| Pages | 93 |
| Publication date | 1999-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | South Central Review (JOURNAL) |
| Journal identifiers | ISSN: 0743-6831 • E-ISSN: 1549-3377 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3189717 |
| OpenAlex | W1993216170 |
| Language | EN |
| Citations received | 18 |
Refuting commonly held beliefs within women's and lesbian history, feminist theory, and histories of the novel, Dangerous Intimacies challenges the idea that sex between women was unimaginable in British culture before the late nineteenth century. Lisa L. Moore argues that literary representations of female sexual agency - and in particular 'sapphic' relationships between women - were central to eighteenth-century debates over English national identity. Moore shows how the novel's representation of women's 'romantic friendships' - both platonic and sexual - were encoded within wider social concerns regarding race, nation, and colonialist ventures. Moore demonstrates that intimacy between women was vividly imagined in the British eighteenth century as not only chaste and virtuous, but also insistently and inevitably sexual. She looks at instances of sapphism in such novels as Millenium Hall, Memoirs of a Woman of Pleasure, Belinda, and Emma, and analyses how the new literary form of the novel made the bourgeois heroine's successful negotiation of female friendship central to the establishment of her virtue. Moore also examines representations of sapphism through the sweeping economic and political changes of the period, and claims that middle-class readers' identifications with the heroine's virtue helped the novel's bourgeois audience justify the violent bases of their new prosperity, including slavery, colonialism, and bloody national rivalry. In revealing the struggle over sapphism at the heart of these novels of female friendship - and at the heart of England's national identity - Moore shows how feminine sexual agency emerged as an important cultural force in post-Enlightenment England. Of particular interest to readers engaged in literary and queer theory, Dangerous Intimacies will also appeal to students and scholars of the novel, eighteenth-century studies, and postcolonial studies
Sociology · Historical Economic and Social Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Literature: history, themes, analysis · Psychology
Squaring the Triangle
Accounting for the Unaccountable
Flowery Porn
Towards a feminist politics of mobility
Friendship and Politics
Maria Edgeworth’s Angelina, or L’amie Inconnue
Can we call Anne Lister a lesbian
The "Singular Propensity" of Sensibility's Extremities
How to Do the History of Male Homosexuality
Vampiric Affinities
Reading a Head
Winnie Woodfern Comes Out in Print
School for Scandal
Digging for Jane and Finding Yorrick
Lesbian Aestheticism on the Eighteenth-Century Stage
By the Author of Fanny Hill”
Critical Extasy
Edgeworth's Belinda
| Unique citing works | 18 |
|---|---|
| Citations per year | 0,69 |
| Citation span | 2000 - 2022 (23) |
| Citation velocity | historical |
| Highly cited | No |