For the Future 1
Bibliographic Data
| ID | 14809462 |
|---|---|
| Authors | Stephen Davismoon (0000-0002-4154-6291, corresponding author) |
| Year | 2009 |
| Volume | 28 |
| Issue | 2 |
| Pages | 237-241 |
| Publication date | 2009-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494460903322513 |
| OpenAlex | W1979080349 |
| Language | EN |
| References cited | 2 |
The following paper explores the fundamental aesthetic importance of algorithms in musical practice. It focuses upon areas of potentially far-reaching aesthetic consequence that currently seem to pose some problems/misunderstandings/misconceptions or an awkwardness of interface between the disciplines of computer science and music composition—including approaches to symbolic manipulation systems, and concepts such as optimization, population, fitness and search space
Art · Cognitive science · Epistemology · Human–computer interaction · Literature · Musical · Population · Sociology · Visual arts · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |