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Stele — a gravestone as end or Beginning? György Kurtág's long march towards the orchestra

Bibliographic Data

ID14809482
AuthorsRichard Toop (Sydney University Musical Society, corresponding author)
Year2001
Volume20
Issue2-3
Pages129-149
Publication date2001-01-01
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494460100640211
OpenAlexW2064459638
LanguageEN

Few works by Kurtág have gained as much immediate attention as his first major orchestral work Stele (1994), composed at the age of 68. While primarily regarding himself as a composer of vocal and chamber works, from 1987 Kurtág wrote a series of works for spatially separated small ensembles whose gradual paving of the way for the overtly symphonic sonorities of Stele is examined here. Two further orchestral works written since 1994 suggest a return to a more chamber music-based conception of ensemble writing

Art · Art history · Literature · Stele · Symphony · Arts, Culture, and Music Studies · Diverse Musicological Studies · History · Musicology and Musical Analysis

Highly citedNo

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