What needs to be done’
Bibliographic Data
| ID | 14809657 |
|---|---|
| Authors | Frank Abbinanti (corresponding author) |
| Year | 2007 |
| Volume | 26 |
| Issue | 3-4 |
| Pages | 357-362 |
| Publication date | 2007-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494460701414231 |
| OpenAlex | W2125158367 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
Earle Brown's music suggests a return to the beginnings of modernity within the American experience, how composers came to terms with the ‘events’, the innovations of the 1950s. Jackson Pollock and the concept of flatness was one such ‘event’, but also the ‘unknown’, the indeterminate, ‘voids’ and ‘spaces’, mobile and static, as from Alexander Calder's work. In this article the discussion is limited simply to paradigms and contexts that the author found in early Brown, where his creativity began, and only two of his works, placed in a more philosophical context, speaking about the ‘working through’ of an idea and where it may have originated
Aesthetics · Art · Art history · Creativity · Epistemology · Modernity · Performance art · Pollock · Sociology · Visual arts · History · Musicology and Musical Analysis · Philosophy · Psychology
| Citations per year | 0.06 |
|---|---|
| Citation span | 2010 - 2010 (1) |
| Highly cited | No |