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Rhythm perception

Interactions between time and intensity

Bibliographic Data

ID14809790
AuthorsClaire Gérard (Centre National de la Recherche Scientifique), Carolyn Drake (Centre National de la Recherche Scientifique), Marie-Claire Botte (Centre National de la Recherche Scientifique)
Year1993
Volume9
Issue1-2
Pages179-189
Publication date1993-01-01
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494469300640431
OpenAlexW2012606112
LanguageEN
References cited9

A series of experiments in the field of rhythm perception, examining the mental representation of the temporal and intensity-based properties of a rhythm sequence, demonstrates that errors made by adults in judging the intensities of sounds were dependent on the location of the judged sound in short rhythmic sequences, as well as demonstrating systematic distorsions of perceived temporal intervals at the end of a group (in adjustment tasks where the temporal organization and the number of elements were varied). The results of these experiments underline the need to distinguish between the perception of objective variations and the subjective representation of the properties of sounds when they are embedded in a sequence (immediate context) and used as the basis of various decisions (larger context). These results are discussed in the light of data on masking, subjective accents, temporal summation, perceptual illusion and judgmental processes

Acoustics · Art · Auditory perception · Cognitive psychology · Geography · Illusion · Perception · Rhythm · Speech recognition · Time perception · Communication · Computer Science · Diverse Music Education Insights · Hearing Loss and Rehabilitation · Neuroscience and Music Perception · Psychology

Highly citedNo

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