On superscriptio
An interview with brian ferneyhough, and an analysis
Bibliographic Data
| ID | 14810038 |
|---|---|
| Authors | Richard Toop (a Richard Toop is Head of Musicology at the Sydney Conservatorium of Music , Australia, corresponding author) |
| Year | 1995 |
| Volume | 13 |
| Issue | 1 |
| Pages | 3-17 |
| Publication date | 1995-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494469500640251 |
| OpenAlex | W2081238962 |
| Language | EN |
| Citations received | 1 |
Superscriptio (1981) for solo piccolo is the first part of Brian Ferneyhough's 7-part cycle Carceri d'invenzione (completed in 1986). It represents Ferneyhough's work at its most schematic — in the composer's words, ‘automatised’. The opening sequence of intervals generates several formal and articulatory dimensions of the work
Art · Linguistics · Schematic · Visual arts · Engineering · Musicology and Musical Analysis · Philosophy
| Citations per year | 0.09 |
|---|---|
| Citation span | 2015 - 2015 (1) |
| Highly cited | No |