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Intermedia collaboration for The Flood

Bibliographic Data

ID14810059
AuthorsMichael Hannan, Michael Francis Hannan (corresponding author)
Year2006
Volume25
Issue4
Pages327-339
Publication date2006-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494460600760999
OpenAlexW2021096558
LanguageEN
References cited3

The Flood is a music-theatre work produced by the Northern Rivers Performing Arts (NORPA) (Balodis, J. & Hannan, M. (2004). The flood . Unpublished manuscript. It combines traditional theatrical elements (in the form of a play script and songs) with experimental elements (soundscapes, experimental instruments, layered image projections, and installations). There is a moving stage that processes through the streets of Lismore (an Australian regional city famous for its floods) and five sites of performance and installation activities along the way. This article examines the collaborative process of creating The Flood . The genesis of the work is discussed and a number of the sonic intermedia segments of the work are analysed and theorised. The Flood involved an intensely interdisciplinary developmental period particularly amongst the core creative team of writer, composer and director. Other collaborative aspects of the projects with a strong interdisciplinary focus were the creation of the soundscapes, the mixing of experimental musical instruments with conventional ones and the creation of intermedia installations

Archaeology · Art · Flood myth · Musical · Performing arts · Sociology · Soundscape · The arts · Visual arts · History · Music Technology and Sound Studies · Architecture · Geology

  • Intermedia

    Dick Higgins, Hannah Higgins et al.•Leonardo•2001

Citation velocityhistorical
Highly citedNo

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