Aspects of time in the music of Horacio Vaggione
Bibliographic Data
| ID | 14810568 |
|---|---|
| Authors | Anne Sedes (corresponding author) |
| Year | 2005 |
| Volume | 24 |
| Issue | 4-5 |
| Pages | 327-334 |
| Publication date | 2005-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494460500172188 |
| OpenAlex | W2032843245 |
| Language | EN |
| References cited | 2 |
This article evokes the context in which Horacio Vaggione, the composer-theoretician, developed the basis of his thought, between his work in an electroacoustic, or later a digital, studio and the evolution of musical informatics, stressing the importance of the micro-temporal articulation of sound in view of a syntax of musical sound. The article presents several concepts that enable him to approach the temporal domain in an operative manner: the sound object in a digital environment, multi-scale time, micro-temporal operations, the figural approach. The article then discusses the emergence of musical time when listening to the composer's works, brings up several coincidences with T. Adorno's ultimate thoughts, and concludes with the syntactic properties of sound in multiple temporal dimensions for direct digital musical composition (écriture)
Active listening · Art · Electroacoustic music · Epistemology · Improvisation · Linguistics · Musical · Studio · Temporality · Visual arts · Communication · Computer Science · History · Music Technology and Sound Studies · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |