Diderot a inventé le cinéma
Bibliographic Data
| ID | 14814971 |
|---|---|
| Authors | Jean-Claude Bonnet (corresponding author) |
| Year | 1995 |
| Volume | 18 |
| Issue | 1 |
| Pages | 27-33 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Recherches sur Diderot et sur l Encyclopédie (JOURNAL) |
| Journal identifiers | ISSN: 0769-0886 • E-ISSN: 1955-2416 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/rde.1995.1287 |
| OpenAlex | W2041379085 |
| Language | FR |
Jean-Claude Bonnet : Diderot Invents the Cinema. The Enlightenment was far from being the age of the dry and exclusive rule of ideas, as it is often seen or believed to be ; in fact it was an extremely rich period, for both the invention of new forms and a renewal of aesthetic debates. Diderot, who wanted theatre to appeal equally to the eye and the ear, invented modern staging with categories such as those of the conversation piece of the multiple scene, which exactly anticipate cinema editing. In this sense, as Eisenstein indicated in the title of an article published in 1943, "Diderot spoke abouth the cinema
Aesthetics · Appeal · Art · Art history · Conversation · Enlightenment · Epistemology · Linguistics · Literature · Movie theater · French Literature and Criticism · Historical and Literary Studies · Law · Philosophy · Rousseau and Enlightenment Thought
| Citation velocity | historical |
|---|---|
| Highly cited | No |