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Art and Healing

The Rituals of Possession Mahamba related to Fertility among the Luvale of Zambia

Bibliographic Data

ID14816211
AuthorsBoris Wastiau (Royal Museum for Central Africa, corresponding author)
Year1998
Volume14
Issue1
Publication date1998-03-28
Open AccessYes
TypeARTICLE
VenueAVRUG-bulletin/Afrika Focus (JOURNAL)
Journal identifiersISSN: 0772-0793 • E-ISSN: 0772-084X
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.21825/af.v14i1.5589
OpenAlexW2790755526
LanguageEN
References cited6

This paper deals with a number of symbolic practices and art forms that have developed within rituals of possession known as mahamba in the upper Zambezi and Kasai area. I refer mostly to the Luvale of Zambia, among whom there are numerous mahamba, variously related to serious illness, sterility, madness, failure, social alienation or other ills. Presenting alternatively aspects of ad hoc therapeutic rituals, and"social drama,to borrow V. Turner's expression, or of religious cults, they are performed by both men and women. Mahamba can lead to initiation into a professional cast or simply serve to restore a possessed patient's physical health or social status. As rituals that are both 'religious' and 'therapeutic', they must be considered within the broad context of cosmology and medical knowledge. Here I will discuss the transforming role of certain artefacts and performances in mahamba rituals that aim at restoring female fertility.KEYWORDS: cult figure, tehrapeutic arts, possession cult, fertility ritual, Zambia

Aesthetics · Alienation · Ancient history · Art · Cult · Drama · Fertility · Literature · Political science · Population · Sociology · African studies and sociopolitical issues · Aging, Elder Care, and Social Issues · Demography · Female Genital Mutilation/Cutting Issues · Gender Studies · History · Law

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  • Performance and the Cultural Construction of Reality

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  • Symbolic Dialogue and Personal Transactions among the Kalanga and Ndembu

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