Antipodeanism, and Charles Dickens’ Imperialist Undertakings in Depicting Australia

Charles Dickens (1812-1870) was, at once, the most prominent English novelist of the mid-nineteenth century and one of the most industrious workers in facilitating the emigration of the British lower classes to colonial Australia. Throughout his novelistic and journalistic depictions of Australia, Dickens draws upon the textual tradition of the imaginary construction of the southern continent. His writings, therefore, function as complementing pieces for the discursive puzzle of ‘Australia’ and ‘the Australian’ from the Empire’s point of view. I will argue that Dickens’ picture of Australia echoes the tenets of the centuries-held discourse of Antipodeanism. Under the guise of an impartial outlook, Dickens’ writings about the southern colony act as a hegemonic drive to ease the dissemination of imperialist ideas, hence the material domination of Australia. The power-directed aspect of these items, however, remains hidden under a philanthropic veneer. In addition, economic and spatial availability of Australia could not be justified in Dickens’ words, unless the core binarist system of representing the colony in relation to the metropolis is maintained

Ancient history · Archaeology · Art · British Empire · Colonialism · Empire · Genealogy · Hegemony · Imperial unit system · Literature · Political science · Politics · Sociology · The Imaginary · Australian History and Society · History · Law · Postcolonial and Cultural Literary Studies · Socioeconomic Development in Asia

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• Culture and Imperialism

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