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The Siamese Concept of Muslims through Mural Paintings

Bibliographic Data

ID14823249
AuthorsAdis Idris Raksamani (Instructor, Faculty of Engineering and Architecture, Rajamangala University of Technology Suvarnabhumi, Nonthaburi, Thailand, [email protected], corresponding author)
Year2019
Volume22
Issue1
Pages1-33
Publication date2019-07-15
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueManusya Journal of Humanities (JOURNAL)
Journal identifiersISSN: 0859-9920 • E-ISSN: 2665-9077
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/26659077-02201001
OpenAlexW2938883686
LanguageEN
Citations received1
References cited1

The objective of this study is to examine the purpose and meaning of portrayals of Muslims in the Thai traditional art and architecture of temples and palaces. The focus is on the Siamese concepts of Muslims and the features of Muslims that Siamese people in the past intended to communicate to Siamese society. The study deals with the concept and design of painting found in Thai traditional mural paintings. The findings reveal that the portrayals of Muslims in the mural paintings represent the symbolic meanings which can be traced according 4 chronicle stages as follows: 1. The otherness of Muslims from afar in the late Ayutthaya. 2. The trace of Islamic civilization in the end of Ayutthaya, the Thonburi and the Reigns of King Rama i - ii . 3. The multicultural guests in the Reigns of King Rama iii - iv . 4. Unity under the royal patronage in the Reigns of King Rama v - vi . The benefit of the research can be applied to enhance the good relationship and understanding among different cultures in Thai society

Archaeology · Art · Art history · Civilization · Islam · Multiculturalism · Mural · Painting · Theology · Visual arts · Asian Studies and History · History · Philosophy · Southeast Asian Sociopolitical Studies · Architecture

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Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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