The Avant-Garde Artist
Between the All-Too-Human and the Inhuman. Towards an Anthropological Aesthetics
Bibliographic Data
| ID | 14824704 |
|---|---|
| Authors | Magdalena Popiel (0000-0002-0424-2985, corresponding author) |
| Translators | Rafał Pawluk |
| Year | 2015 |
| Volume | 1 (7) |
| Issue | Special Issue English Edition |
| Pages | 83-111 |
| Publication date | 2015-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Teksty Drugie (JOURNAL) |
| Journal identifiers | ISSN: 0867-0633 • E-ISSN: 2545-2061 |
| Publisher | Instytut Badan Literackich PAN/The Institute of Literary Research PAS (PUBLISHER) |
| DOI | 10.18318/td.2015.en.1.7 |
| OpenAlex | W2596723306 |
| Language | EN |
"There really is no such thing as Art. There are only artists"1 -states Erich Gombrich at the beginning of one of his works. This is neither an obvious nor a universally accepted claim within the field of contemporary art history, but it does exhibit an interesting coherence with the aesthetic thinking prevalent in various areas of the humanities
Aesthetics · Art · Art history · Avant garde · Art, Politics, and Modernism · Art, Technology, and Culture · Digital Media and Philosophy · Philosophy
| Highly cited | No |
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