Interactive-compositional Authoring of Sound Spatialization

Bibliographic Data

ID14871985
AuthorsJérémie Garcia (0000-0001-7076-6229, Université de Toulouse – ENAC, France., corresponding author), Thibaut Carpentier (UMR 9912 STMS, IRCAM-CNRS-UPMC, Sorbonne Universités, Paris, France.), Jean Bresson (UMR 9912 STMS, IRCAM-CNRS-UPMC, Sorbonne Universités, Paris, France.)
Year2017
Volume46
Issue1
Pages74-86
Publication date2017-01-02
Open AccessNo
TypeARTICLE
VenueJournal of New Music Research (JOURNAL)
Journal identifiersISSN: 0929-8215 • E-ISSN: 1744-5027
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09298215.2016.1230632
OpenAlexW2552347297
LanguageEN
References cited18

spat-scene is a graphical user interface and spatial sound processor embedded in computer-aided composition software. It combines the interface and the rendering engine of Ircam Spatialisateur with a compositional and temporal control of spatial scene descriptors. Previous studies of the composition process as well as interviews with composers emphasized the needs for tools integrated within compositional environments allowing for interactive input, visualization and manipulation of spatio-temporal data in spatial scene descriptions. The spat-scene interface addresses such requirements by providing a timeline view synchronized with the spatial view of the Spatialisateur, three-dimensional editors as well as several internal and external rendering possibilities, all in a unified framework. spat-scene is implemented in the OpenMusic visual programming language, and so can be articulated with other musical structures and compositional processes. Through the case study of sound spatialization, this work tackles the challenge of authoring real-time processes in a compositional context

Human–computer interaction · Spatialization · Timeline · Visualization · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Artificial Intelligence

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Open DOISci-HubOpen Access