Sonic Object
A model for twentieth‐century music analysis
Bibliographic Data
| ID | 14872083 |
|---|---|
| Authors | Didier Guigue (Universidade Federal da Paraíba, corresponding author) |
| Year | 1997 |
| Volume | 26 |
| Issue | 4 |
| Pages | 346-375 |
| Publication date | 1997-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of New Music Research (JOURNAL) |
| Journal identifiers | ISSN: 0929-8215 • E-ISSN: 1744-5027 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/09298219708570734 |
| OpenAlex | W2068701200 |
| Language | EN |
| References cited | 11 |
This text describes the main features of a methodological approach to musical analysis based on the concept of object. Some examples of the application of this analytic technique are illustrated. Particular attention is given to Debussy's Étude pour les Sonorités Opposées and Brouillards
Art · Musical · Musical analysis · Visual arts · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Musicology and Musical Analysis · Artificial Intelligence
| Citation velocity | historical |
|---|---|
| Highly cited | No |