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What’s Mine is Yours. Private collectors and public patronage in the United States. Essays in honor of Inge Reist

Bibliographic Data

ID14904136
AuthorsJoseph Conlin (0000-0003-0394-4931, corresponding author)
Year2022
Volume34
Issue1
Pages213-214
Publication date2022-03-05
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the History of Collections (JOURNAL)
Journal identifiersISSN: 0954-6650 • E-ISSN: 1477-8564
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jhc/fhab051
OpenAlexW4234636583
LanguageEN

Since its foundation in 2007 the Frick Center for the History of Collecting, under the leadership of Inge Reist, has set the agenda for historians of American collecting, with a particular emphasis on late nineteenth- and early twentieth-century collectors and their agents. These men and women scoured Europe for treasures, many of which were later donated or bequeathed to American public institutions. Between 2011 and 2017, Reist edited or co-edited six volumes of essays organized around types of collector or schools of art, the product of a programme of symposia and fellowships rivalled only by those of the Getty Research Institute. What’s Mine is Yours is a fitting tribute to this impressive record of achievement, as well as to Reist’s service to the Frick, which began with her appointment as assistant curator in 1980. The volume’s contributors, who include university academics (in history as well as art history), curators and independent scholars, reflect Reist’s gift for forming networks that transcend disciplinary boundaries and institutional cultures.

Art · Art history · Honor · Internet privacy · Political science · Art History and Market Analysis · Computer Science · Historical Art and Culture Studies

Citation velocityhistorical
Highly citedNo

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