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The amateur and the public sphere

Private collectors in Brussels, Antwerp and Ghent through the eyes of European travellers in the long nineteenth century

Bibliographic Data

ID14904147
AuthorsUlrike Müller (0000-0003-1787-3919, corresponding author)
Year2016
Pagesfhw032
Publication date2016-10-14
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the History of Collections (JOURNAL)
Journal identifiersISSN: 0954-6650 • E-ISSN: 1477-8564
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jhc/fhw032
OpenAlexW2531395445
LanguageEN
Citations received1
References cited3

In nineteenth-century Belgium, private collections were visited by an interested local and international public; they formed popular topics in travel literature. Travellers such as Johanna Schopenhauer even characterized Belgium as the ‘country of private collectors’, suggesting that the collectors were important actors in the public sphere. How precisely was their position perceived in the Belgian cities, and how was it communicated beyond the country’s borders? Based on the analysis of contemporary travel literature, this article aims to explore the public life of private collectors in the artistic centres of Brussels, Antwerp and Ghent over the course of the nineteenth century. It argues that collectors played a prominent role in the urban cultural life especially between 1780 and 1860, while major societal and cultural-political changes – mainly related to the growing importance and shifting function of public museums – resulted in the gradual withdrawal of private collectors from the public sphere later in the century.

Amateur · Business · Media studies · Political science · Politics · Position (finance) · Private life · Private sphere · Public sphere · Sociology · Historical Art and Culture Studies · Historical Influence and Diplomacy · Law

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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