Fine art for the New World

Of Thomas Jefferson’s many accomplishments – President of the United States, co-author of the Declaration of Independence, and founder of the University of Virginia – his art collection fails to top the list. However, Jefferson’s vision for the developing nation involved a strong interest in the arts. As such, he assembled his own art collection and planned an ideal, but ultimately unrealized, sculpture gallery. His collection, neither vast nor impressive, included portraits, busts, engravings, and copies after Old Master paintings. Although it included not a single work of European or American art could be called a masterpiece or canonical work, yet his collection was the first significant art collection in the United States. Why? This article examines the legacy of his trailblazing assemblage through an analysis of his fine art collection both real and ideal within the broader context of the history of collecting in the United States.

Archaeology · Art · Art history · Context (archaeology) · Declaration of independence · Fine art · Ideal (ethics) · Independence (probability theory) · Painting · Performance art · Political science · Politics · Portrait · Sculpture · The arts · Visual art of the United States · Visual arts · American Constitutional Law and Politics · History · Law

• Understanding donor motivations

  Joanna Szczepanski•Museum Management and Curatorship•2017

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