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Rothschilds, rubies and rogues

The ‘Renaissance’ jewels of Waddesdon Manor

Bibliographic Data

ID14904807
AuthorsPhillippa Plock (corresponding author)
Year2017
Volume29
Issue1
Pages143-160
Publication date2017-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the History of Collections (JOURNAL)
Journal identifiersISSN: 0954-6650 • E-ISSN: 1477-8564
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/jhc/fhv043
OpenAlexW2343370762
LanguageEN
Citations received4

Ferdinand de Rothschild’s Renaissance collection has recently received much attention through the re-display of the Waddesdon Bequest at the British Museum. This article studies some of the jewels omitted from the bequest in the context of other Rothschild pendants now at Waddesdon Manor. In combination with new evidence about Ferdinand’s relationship with some of the fraudulent dealers and manufacturers of ‘Renaissance’ style jewellery, study of related pieces collected by his father, sisters and aunt provides insight into a pan-European web of connections between makers, dealers and collectors. Based on a re-attribution of these ‘Renaissance’ jewels to a range of nineteenth-century makers, particularly Alfred André, this article considers how and why different members of the Rothschild family acquired ‘sixteenth-century’ jewels in relation with each other and their contemporaries, considering why jewels were thought to embody particular aspects of the Renaissance, as well as the intersection between collecting jewellery and sociability.

Archaeology · Art · Art history · Bequest · Context (archaeology) · Nobility · Political science · Politics · Rothschild · The Renaissance · Architecture, Design, and Social History · Classics · Crafts, Textile, and Design · Fashion and Cultural Textiles · History · Law

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Unique citing works4
Citations per year0,5
Citation span2018 - 2021 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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