Feminist Theological Themes in the Biblical Art of Lilian Broca
From Lilith to Mary Magdalene
Bibliographic Data
| ID | 14948830 |
|---|---|
| Authors | Mary Ann Beavis (0000-0001-6558-9942, corresponding author) |
| Year | 2024 |
| Volume | 32 |
| Issue | 2 |
| Pages | 183-205 |
| Publication date | 2024-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Feminist Theology (JOURNAL) |
| Journal identifiers | ISSN: 0966-7350 • E-ISSN: 1745-5189 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/09667350231208134 |
| OpenAlex | W4388906178 |
| Language | EN |
For three decades, the Canadian artist Lilian Broca has been creating art featuring biblical women: Lilith/Eve, Esther, Judith and Mary Magdalene. These are not single artworks, but series, presenting these women in the contexts of their narratives. In contrast with traditional artistic representations of these figures, dominated by the male gaze, Broca brings a feminist lens to their stories. Broca’s work not only converges with feminist theology and biblical studies, but she also uses this scholarship as part of her research, pointing to a fruitful and significant relationship between feminist art and academic theology
Art · Feminist theology · Gaze · Literature · Narrative · Psychoanalysis · Scholarship · Sociology · Theology · Biblical Studies and Interpretation · Christian Theology and Mission · Pentecostalism and Christianity Studies · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |