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The Gospel in a New Tune! The Appropriation of Ada María Isasi-Díaz’s ‘historical project’ by Latina Pentecostals in the Formulation of a Theology of Evangelism

Bibliographic Data

ID14949232
AuthorsAngel Santiago-Vendrell (0000-0003-0412-3377, corresponding author)
Year2010
Volume19
Issue1
Pages73-85
Publication date2010-09-01
Open AccessYes
TypeARTICLE
VenueFeminist Theology (JOURNAL)
Journal identifiersISSN: 0966-7350 • E-ISSN: 1745-5189
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0966735010372169
OpenAlexW2155029099
LanguageEN
Citations received1

The article looks at the way in which Latinas in the United States conceived evangelism. It explores the writings of mujerista theologian Ada María Isasi-Díaz in her construction of a praxis oriented model for evangelism based on a strategy of daily-life survival. The concept of interpersonal relationships based on divine transcendence guides the discussion to embrace the arts, especially salsa music as offered to the Afro-Caribbean deities, as a source of sharing good news in a new tune. Thus the article tries to interlace theoria (cultural and social analysis), praxis (reflection and action based on interpersonal relations), and poiesis (the formulation of worship-centered arts such as salsa music in the construction of a postcolonial evangelism)

Aesthetics · Appropriation · Art · Epistemology · Evangelism · Gospel · Praxis · Sociology · The arts · Theology · Visual arts · Worship · Latin American and Latino Studies · Pentecostalism and Christianity Studies · Philosophy · Religious studies

  • Apostolic Evangelism in the Postcolony

    A Yong•Mission Studies•2017

Citations per year0.11
Citation span2017 - 2017 (1)
Highly citedNo

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