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Walls of Freedom”

Street Art and Structural Violence in the Global City

Bibliographic Data

ID14956002
AuthorsDominic Davies (0000-0002-3584-5789, University of Oxford, corresponding author)
Year2017
Volume9
Issue2
Publication date2017-08-18
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRupkatha Journal on Interdisciplinary Studies in Humanities (JOURNAL)
Journal identifiersISSN: 0975-2935 • E-ISSN: 0975-2935
PublisherAesthetics Media Services (PUBLISHER)
DOI10.21659/rupkatha.v9n2.02
OpenAlexW2745658469
LanguageEN
Citations received1
References cited9

This article argues that contemporary street art (or graffiti) uses a unique set of resistant techniques to foreground the contours and shapes of different kinds of structural violence inscribed into, and perpetuated by, the infrastructural layouts of the twenty-first century's increasingly global cities. Graffiti can resist structural violence as it is shaped and exacerbated by-even embedded within-the physical walls of city spaces, ricocheting off into alternative and on occasion more democratic modes of urban habitation. Through a discussion of examples from urban spaces as diverse as revolutionary Cairo, divided East Jerusalem and the West Bank in Palestine, and South African townships and gentrifying East London, the article shows that street art can transform the violent infrastructural strategies of oppressive state governance into a canvas that articulates calls for democratic and political freedom

Ancient history · Art · Democracy · Global city · Graffiti · Inscribed figure · Palestine · Political economy · Political science · Politics · Sociology · Visual arts · History · Law · Law in Society and Culture · Public Spaces through Art · Urban and sociocultural dynamics

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Unique citing works1
Citations per year0.5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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