Revisioning Subalternity

Ramayana is a narrative knitted through multiple voices but is written around the story of Rama, neglecting the voices of the minor characters. The contemporary South Asian authors breaking the conventional norms of Ramkatha tradition have provided agency to such characters through their contemporary renderings. The study tries to bring forth such hidden nested narratives of the unheard characters of Mandavi and Urmila who are identified either in relation to Sita or their husbands, to re-define the idea subaltern. The paper will analyse the social and political oppression faced by the two female characters because of the existing gender and power hierarchy existing in the text, the unconscious oppression and suffering neglected by the author, reader and the characters of the text as well. The paper will try to analyse the contemporary renderings as an agency and subaltern space for the voice of these subaltern unsung characters of Ramayana, understanding how the concept of unconscious subaltern and normalization of oppression on these character in the epic, demarcating the related myths

Aesthetics · Art · Literature · Narrative · Oppression · Political science · Politics · Psychoanalysis · Social science · Sociology · Subaltern · Unconscious mind · Gender Studies · Indian History and Philosophy · Law · Psychology · South Asian Cinema and Culture · South Asian Studies and Diaspora

• Minority histories, subaltern pasts

  Dipesh Chakrabarty•Scrutiny2•1998

  Add to list

• Glossary of Literary Terms - A

  Open Access•August Obermayer•Otago German studies•2016

  Add to list