Theatre is not a casual engagement, it is a daily ritual”

The paper contains an exclusive interview of Ratan Thiyam (1948), the famous theatre director from the Northeast and one of the major protagonists of the Theatre of Roots movement in India. The paper also provides the authors’ experience with the place, Imphal, (capital of Manipur state), its people, and its milieu which intimately informed the creative self of Thiyam and his theatre abode—the Chorus Repertory Theatre (CRT). Manipur is a state of an enigma for many outside the state, not only in the mainland but even in other parts of the Northeast as well because Manipur is seen as a place that has been a theatre of political turmoil and unrest following protracted militancy, ethnic anxieties and the tumults of identity assertions besides being subjected to the draconian AFSPA for the longest period of time. Against such a backdrop life continues to thrive in Imphal which provides elaborate nuances and contradictions turning the cityscape itself into a space of performance. The interview was taken on the sidelines of the National Theatre Festival 2017, at the CRT where some of the significant contemporary Indian plays were also performed including Thiyam’s Urubhangam. The paper attempts to look at Thiyam’s theatre against the cultural and spatial context of Manipur and to see how theatre can evolve as an organic form of artistic expression

Archaeology · Art · Casual · Chorus · Cityscape · Geography · Literature · Mainland · Media studies · Political science · Political theatre · Politics · Sociology · Visual arts · History · Law · South Asian Studies and Conflicts · South Asian Studies and Diaspora · Theatre and Performance Studies

• "Theatre of Roots"

  Suresh Awasthi, R Schechner•TDR/The Drama Review•1989

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