Translations, Affirmations, Inventions and Subversions
Grahamstown 2002
Bibliographic Data
| ID | 14960867 |
|---|---|
| Authors | Miki Flockemann (0000-0002-3007-9608, University of the Western Cape, corresponding author) |
| Year | 2002 |
| Volume | 16 |
| Issue | 1 |
| Pages | 198-207 |
| Publication date | 2002-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | South African Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 1013-7548 • E-ISSN: 2163-7660 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/10137548.2002.9687751 |
| OpenAlex | W1966775600 |
| Language | EN |
| References cited | 1 |
One of the installations at this year's Grahamstown Festival displayed what was recognizably once a tennis racquet, now artfully transformed through a covering of intricately patterned beading. The description introducing the Engaging Modernities exhibition, notes that when cultures meet, values are inevitably transformed and inverted, and this focus on intercultural collisions, encounters and appropriations points to a dominant theme for the festival itself, across all its facets
Aesthetics · Art · Exhibition · Visual arts · World Wide Web · Art, Politics, and Modernism · Computer Science · History · Irish and British Studies · Theatre and Performance Studies
| Highly cited | No |
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