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Walk in India and South Africa

Notes towards a decolonial and transnational feminist politics

Bibliographic Data

ID14960932
AuthorsSwati Arora (0000-0002-8553-4620, King's College London, corresponding author)
Year2020
Volume33
Issue1
Pages14-33
Publication date2020-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSouth African Theatre Journal (JOURNAL)
Journal identifiersISSN: 1013-7548 • E-ISSN: 2163-7660
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10137548.2020.1742781
OpenAlexW3013889348
LanguageEN
References cited12

The essay discusses Maya Rao's Walk and The Mothertongue Project's Walk: South Africa to explore the languages of transnational and embodied feminist politics that these performances conjure. The two performances are instances of artistic responses to sexualized violence in India and South Africa as they engage with the politics of walking in the city. Working with Chandra Talpade Mohanty's formulation of feminist solidarity (2013) and Boaventura de Sousa Santos's translation-as-dialogue (2014), I discuss the radical forms of feminist methodological imaginations attempted and nurtured by them. This essay examines the political and aesthetic potential of translatability of performance in the world of global asymmetries and the implications it holds for intersectional feminist conversations in the global South

Embodied cognition · Epistemology · Feminism · Maya · Political science · Politics · Sociology · Solidarity · African Sexualities and LGBTQ+ Issues · Gender Studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies · South African History and Culture

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    Open Access•Stephen Legg•Spaces of Colonialism•2007

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    Louise Du Toit•Signs: Journal of Women in…•2014

  • Walking Women

    Deirdre Heddon, Cathy Turner•Contemporary Theatre Review•2012

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    Open Access•Sharanya, Sharanya Sharanya•Etnološka tribina•2016

  • Manifesto

    Afro-Asian Networks Research Collective•Radical History Review•2018

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Citation velocityhistorical
Highly citedNo

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