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Physical Theatre consumption and the advent of the ‘Festivore’

A case study of audience attendance at the South African National Arts Festival

Bibliographic Data

ID14960967
AuthorsRichard Antrobus (0000-0002-4031-5563, Rhodes University, corresponding author), Jeanette Snowball (Rhodes University)
Year2010
Volume24
Issue1
Pages327-344
Publication date2010-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSouth African Theatre Journal (JOURNAL)
Journal identifiersISSN: 1013-7548 • E-ISSN: 2163-7660
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/10137548.2010.9687937
OpenAlexW1988779630
LanguageEN
Citations received2
References cited14

Coupled with a decline in government and consumer support and disparity between value and funding of the arts, theatre companies in South Africa can no longer rely on external subsidies to finance productions (Visser 2005; Snowball & Willis 2006). Despite this apparent dilemma, the proliferation of festivals has provided a new means to support and even promote theatre in South Africa, reaching a newer audience that has extended from a small, loyal theatre-going exclusive to a vast, eclectic festival public. If one wants to find a cultural democratisation of theatre and the arts in South Africa then, one should not look at the old theatre establishments of the past, but rather look to festivals as a new and dynamic way theatre is being democratised and brought to the people - to the festinos (Van Graan 2007; Mahomed 2009)

Advertising · Art · Attendance · Business · Democracy · Democratization · Dilemma · Media studies · Performing arts · Political science · Politics · Social science · Sociology · Subsidy · The arts · Visual arts · Cultural Industries and Urban Development · Law · Sport and Mega-Event Impacts · Theatre and Performance Studies

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Unique citing works2
Citations per year0,18
Citation span2015 - 2023 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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