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A River Runs Through Us All

Asian and Pacific Linkages in Contemporary Performance from Aotearoa

Bibliographic Data

ID14963075
AuthorsDiana Looser (corresponding author)
Year2022
Volume22
Issue1
Publication date2022-03-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePacific Arts (JOURNAL)
Journal identifiersISSN: 1018-4252 • E-ISSN: 2769-108X
PublisherCalifornia Digital Library (CDL) (PUBLISHER)
DOI10.5070/pc222156838
OpenAlexW4221093595
LanguageEN
Citations received1
References cited4

This essay seeks to broaden and diversify discussions of the transpacific itineraries that weave throughout Oceania by exploring artistic transactions among Māori, Pasifika, and Chinese peoples that are routed through Aotearoa New Zealand. I consider how New Zealand-based performance artists move beyond US-dominated categories and priorities to expose new relationships between islands and continents, and between Indigenous, diasporic, and immigrant identities and ways of being. I chart this terrain by examining three collaborative, intercultural performance works. The multilayered, photographic series Red Coats + Indians: The Games We Play (2019–20), created by New Zealand-born Sāmoan artist Greg Semu in collaboration with Indigenous Formosans in Taiwan, uses the iconic figure of Captain James Cook as an allegory for Chinese colonialism. Renee Liang’s opera The Bone Feeder (2017) and choreographer Moss Te Ururangi Patterson’s choral and dance ensemble piece Awa: When Two Rivers Collide (2017) trace geographical and spiritual connections between Aotearoa and China, but do so in ways that weave Aotearoa into wider Pacific circuits and crossings. The essay demonstrates the important role of the visual and performing arts in imagining mobilities, dispositioning, place-making, and identities in Oceania, and in highlighting alternative Pacific and Asian linkages and modes of knowledge production

Aotearoa · Archaeology · Art · China · Colonialism · Incense · Indigenous · Media studies · Polynesians · Sociology · The arts · Visual arts · Anthropology · Cultural Industries and Urban Development · Gender Studies · History · Island Studies and Pacific Affairs

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  • White Ghosts, Yellow Peril

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  • Tears of Rangi

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  • Decoloniality and Contemporary Asian Theatre in New Zealand

    Cynthia Hiu Ying Lam, Cynthia Lam et al.•Theatre Journal•2020

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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