Regulation Without Representation
NSW Live Music Policy 1992–2008
Bibliographic Data
| ID | 14970468 |
|---|---|
| Authors | David Panichi (corresponding author) |
| Year | 2015 |
| Volume | 9 |
| Issue | 1 |
| Pages | 5-21 |
| Publication date | 2015-10-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Perfect Beat (JOURNAL) |
| Journal identifiers | ISSN: 1038-2909 • E-ISSN: 1836-0343 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/prbt.v9i1.28677 |
| OpenAlex | W2507130534 |
| Language | EN |
| Citations received | 1 |
This article is an investigation into the abolition of the PoPE licence in NSW, an investigation which necessarily calls on previous work by Bruce Johnson, Shane Homan and other key figures in the Australian music studies landscape. It also follows on from a growing body of work (including Cloonan’s article in the last issue that is considering the considerable role played by legislation and regulation in the contemporary music industry. Despite this, Panichi points out that in general popular music scholarship has not spent enough time in this area and the intersecting ideas of agency, infrastructure, performance and consumption that emerge in this study reinforce this message
Aesthetics · Agency (philosophy · Art · Consumption (sociology · Legislation · Media studies · Music education · Music industry · Political science · Popular music · Public relations · Representation (politics · Scholarship · Social science · Sociology · Visual arts · Work (physics · Diverse Musicological Studies · Engineering · History · Law · Music History and Culture
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 2013 - 2013 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |