Music(ology) Needs a Context
Re-interpreting Goa Trance
Bibliographic Data
| ID | 14970484 |
|---|---|
| Authors | Sebastian Chan (corresponding author) |
| Year | 2015 |
| Volume | 3 |
| Issue | 4 |
| Pages | 93-98 |
| Publication date | 2015-10-05 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Perfect Beat (JOURNAL) |
| Journal identifiers | ISSN: 1038-2909 • E-ISSN: 1836-0343 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/prbt.v3i4.28742 |
| OpenAlex | W2340357298 |
| Language | EN |
| Citations received | 4 |
| References cited | 1 |
Chan provides a critique of elements of the analysis offered by Cole and Hannan in their discussion of Goa/Trance music (1997)
Aesthetics · Archaeology · Art · Context (archaeology · Sociology · Trance · Visual arts · Anthropology · Caribbean history, culture, and politics · Diverse Musicological Studies · History · Music History and Culture
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,15 |
| Citation span | 1999 - 2012 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |