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Red songs and the main melody

Cultural nationalism and political propaganda in Chinese popular music

Bibliographic Data

ID14970486
AuthorsQian Wang (0000-0002-8601-749X, Department of Sociology Tsinghua University, corresponding author), Wang Qian (0000-0002-1044-5797, corresponding author)
Year2013
Volume13
Issue2
Pages127-145
Publication date2013-06-04
Open AccessNo
TypeARTICLE
VenuePerfect Beat (JOURNAL)
Journal identifiersISSN: 1038-2909 • E-ISSN: 1836-0343
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/prbt.v13i2.127
OpenAlexW4249045315
LanguageEN
Citations received1

Red songs were revolutionary songs and propaganda songs. In recent years, the government has repackaged red songs as popular music and adapted popular music into red song repertoire simultaneously. The fusion between red songs and popular music makes young people’s ideological education more effective. The classification of red song repertoire and the identification of the main melody publicize what kind of (popular) cultural product the government welcomes for reward, benefit and profit. Highlighting the cultural context of nationalism can soften the coerciveness and aggressiveness of political propaganda. The popularity of red song TV singing contests and local singing activities demonstrates that politics and culture, propaganda and commerce, education and entertainment are all mixed together for the smooth operation of ideological control in today’s China. But to a certain extent, the commercialization of red songs into entertainment also corrupts the seriousness of political propaganda

Advertising · Art · Entertainment · Ideology · Literature · Media studies · Nationalism · Political science · Politics · Popular music · Popularity · Repertoire · Singing · Sociology · Visual arts · Asian Culture and Media Studies · Chinese history and philosophy · History · Law

  • Women’s affective labor in the Red Army’s war propaganda in the early 1930s

    Ping Zhu•Feminist Media Studies•2023

Citations per year0.33
Citation span2023 - 2023 (1)
Highly citedNo

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