The social media strategies of punk and metal bands on Instagram during the Covid-19 closures of live music venues in Melbourne
Bibliographic Data
| ID | 14970525 |
|---|---|
| Authors | Al Marsden (0000-0003-3223-4381, MIT University, corresponding author) |
| Year | 2021 |
| Volume | 21 |
| Issue | 2 |
| Pages | 165-172 |
| Publication date | 2021-12-21 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Perfect Beat (JOURNAL) |
| Journal identifiers | ISSN: 1038-2909 • E-ISSN: 1836-0343 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/prbt.19369 |
| OpenAlex | W3215592222 |
| Language | EN |
| References cited | 14 |
The COVID-19 pandemic caused the closures of live music venues in Melbourne, Australia between March and November 2020. During this period, punk band Clowns and metal band Ocean Grove used the social media platform Instagram to engage their audiences and maintain their standing within their scene despite not being able to engage in regular activities such as live performance. This article analyses the strategies used by the bands, including fan engagement and dialogue, nostalgia for pre-pandemic times, and promotion and fundraising. When used in combination, these categories enabled the bands to solicit conversation from their fans, foster unity by reminiscing about previous successes, and promote merchandise and support organizations which mitigated the loss of income across the industry
Advertising · Art · Art history · Business · Conversation · Media studies · Political science · Politics · Public relations · Punk · Social media · Sociology · Visual arts · Communication · Digital Games and Media · History · Law · Music History and Culture · Radio, Podcasts, and Digital Media
Why people use social media
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Beats and tweets
Live-archiving the crisis
We love the bands and we want to keep them on the walls’
Washing Hands, Reaching Out” – Popular Music, Digital Leisure and Touch during the Covid-19 Pandemic
Playing to the Crowd
The Australian music industry's mental health crisis
| Highly cited | No |
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