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Governmental as anything

Live music and law and order in Melbourne

Bibliographic Data

ID14970593
AuthorsShane Homan (0000-0002-2118-676X, Faculty of Media, corresponding author)
Year2011
Volume11
Issue2
Pages103-118
Publication date2011-02-27
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePerfect Beat (JOURNAL)
Journal identifiersISSN: 1038-2909 • E-ISSN: 1836-0343
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/prbt.v11i2.103
OpenAlexW2123523657
LanguageEN
Citations received13

On 23 February 2010, shoppers and café patrons in Swanston Street in Melbourne’s Central Business District were confronted by the sight of an estimated 20,000 musicians, fans, publicans, school children, parents and music industry workers marching to state parliament to protest the branding of music venues as part of the city’s problems relating to alcohol consumption and law and order. In this paper I document the arguments of both the government and the live music industry in a battle that raised important questions about Melbourne’s self-image as the cultural capital of Australia. It also provides a recent case study of how the live music venue remains a constant test case in government attempts to reconcile conflicting cultural, economic and urban policy

Advertising · Art · Battle · Business · Capital (architecture · Consumption (sociology · Cultural policy · Government (linguistics · Media studies · Order (exchange · Parliament · Political science · Politics · Sight · Social science · Sociology · State (computer science · Visual arts · Cinema and Media Studies · Cultural Industries and Urban Development · History · Law · Music History and Culture

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    Open Access•Shane Homan, Simon Frith•Arts Marketing An International…•2011

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    Open Access•Haekyung Um•Global Media and China•2019

  • Liveability and creativity

    Open Access•Shane Homan•City Culture and Society•2014

  • The Value of Small Live Music Venues

    Open Access•Sam Whiting•Cultural Sociology•2021

  • The real “crossroads” of live music – the conventions of performance at open mic nights in Edinburgh

    Adam Behr•Social Semiotics•2012

  • From Gigs to Giggs

    J Street•Social Semiotics•2012

  • We love the bands and we want to keep them on the walls’

    Catherine Strong, Sam Whiting et al.•Continuum•2017

  • Lockout’ laws or ‘rock out’ laws? Governing Sydney’s night-time economy and implications for the ‘music city’

    Shane Homan•International Journal of Cultural…•2017

  • Researching live music

    Martin Cloonan•International Journal of Cultural…•2011

  • A state of constant prodding

    Christina Ballico, Dave Carter•Cultural Trends•2018

  • In the Scattered Fields of Memory

    Open Access•Andy Bennett, I Rogers•Space and Culture•2016

  • The social and cultural values of live music

    Open Access•Arno Van Der Hoeven, Erik Hitters•Cities•2019

  • Challenges facing regional live music venues

    Open Access•C Bennett•Popular Music•2020

Unique citing works13
Citations per year0.87
Citation span2011 - 2021 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 13

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