Emo online
Networks of Sociality/Networks of Exclusion
Bibliographic Data
| ID | 14970625 |
|---|---|
| Authors | Rosemary Overell (0000-0001-8808-7638, The University of Melbourne, corresponding author) |
| Year | 2011 |
| Volume | 11 |
| Issue | 2 |
| Pages | 141-162 |
| Publication date | 2011-02-27 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Perfect Beat (JOURNAL) |
| Journal identifiers | ISSN: 1038-2909 • E-ISSN: 1836-0343 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/prbt.v11i2.141 |
| OpenAlex | W2009830506 |
| Language | EN |
This article examines Australian emo subcultural practices and new media technologies. I use subcultural studies to analyse whether emo is, indeed, a subculture. I respond to framings of emo as an ‘Other’ (sub)culture, in mainstream Australian media and Australian alternative music scenes. I interrogate whether, as dominant media claims, emo subculturalists’ internet usage inevitably leads to ‘social alienation’. First, I present a case study of a mediatized moral panic concerning the so called ‘emo suicides’ of Jodie Gater and Stephanie Gestier in 2007. Media reports positioned emo adherents as non-normative ‘dark’ users of new technologies, particularly the internet. I counter this representation with a textual analysis of emo micro media, in the form of MySpace homepages, which demonstrate emo sociality online. However, in my final section I look at how such sociality is limited by gate-keeping practices mobilizing discourses of subcultural capital
Alienation · Criminology · Cyberculture · Mainstream · Media studies · Moral panic · New media · Normative · Political science · Politics · Popular culture · Representation (politics · Social media · Sociality · Sociology · Subculture (biology · The Internet · Crime, Deviance, and Social Control · Gender, Feminism, and Media · Gothic Literature and Media Analysis · Law
| Highly cited | No |
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