Hunting scenes in Spanish Levantine rock art
An unequivocal chrono-cultural marker of Epipalaeolithic and Mesolithic Iberian societies
Bibliographic Data
| ID | 14979795 |
|---|---|
| Authors | Esther López-Montalvo (0000-0002-3112-1329, corresponding author) |
| Year | 2018 |
| Volume | 472 |
| Pages | 205-220 |
| Publication date | 2018-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Quaternary International (JOURNAL) |
| Journal identifiers | ISSN: 1040-6182 • E-ISSN: 1873-4553 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.quaint.2018.03.016 |
| OpenAlex | W2795642855 |
| Language | EN |
| Citations received | 15 |
| References cited | 25 |
Archaeology · Geography · Mesolithic · Archaeological and Geological Studies · Archaeological and Historical Studies · Pleistocene-Era Hominins and Archaeology · Geology
Saimaluu-Tash I Rock Art (Kyrgyzstan)
Metodología de detección con dron (RPAS) aplicada a la prospección de arte rupestre prehistórico
Capturing Red Deer Alive in Post-Paleolithic Rock Art—Hunting, Taming, Symbolism
Las escenas de danza en el arte rupestre levantino del Bajo Aragón y Maestrazgo
New insights into the Spanish Levantine rock art pigments combining pXRF and stylistic approach
Gender Inequalities in Neolithic Iberia
The Neolithisation of the Western Mediterranean
Dance Scenes in Levantine Rock Art (Spain)
The Acoustics of Aggregation Sites
The spread of agriculture in south-eastern Europe
Humans Making History through Continuities and Discontinuities in Art
The Cognitive Processus Behind Neolithic Schematic Rock Art. Archaeological Implications and Research Hypothesis
Wounded Animals and Where to Find Them. The Symbolism of Hunting in Palaeolithic Art
Testing tools
The Origins of War
Calcium oxalate AMS 14C dating and chronology of post-Palaeolithic rock paintings in the Iberian Peninsula. Two dates from Abrigo de los Oculados (Henarejos, Cuenca, Spain)
An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art
Releyendo el fenómeno de la neolitización en el Bajo Aragón a la luz de la excavación del Cingle de Valmayor XI (Mequinenza, Zaragoza)
La caza en una economía de producción prehistórica y sus implicaciones en el arte levantino
Contribución al arte rupestre levantino
People, dogs and wild game
Personal ornaments, Neolithic groups and social identities
A combined dietary approach using isotope and dental buccal-microwear analysis of human remains from the Neolithic, Roman and Medieval periods from the archaeological site of Tossal de les Basses (Alicante, Spain)
Characterizing prehistoric archery
Net hunters vs. archers
Los Paquípodos
Las comarcas centromeridionales valencianas en el contexto de la Neolitización de la fachada noroccidental del Mediterráneo
Hidden signatures of the Mesolithic–Neolithic transition in Iberia
Thoughts about hunting
Outils, armes et parures en os funéraires à la fin du Néolithique d'après Val-de-Reuil et Porte-Joie (Eure) [Représentations individuelles et pratiques collectives]
Animaux domestiques, bêtes sauvages et objets en matières animales du Rubané au Michelsberg
Some Major Problems in the Social Anthropology of Hunter-Gatherers [and Comments and Reply]
Recent Data and Approaches on the Neolithization of the Iberian Peninsula
Violence in Neolithic Iberia
From the Mesolithic to the Neolithic on the Mediterranean Coast of the Iberian Peninsula
Social Body and Embodied Subject
Why Do Men Hunt
| Unique citing works | 15 |
|---|---|
| Citations per year | 1,88 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 15 |